The story of Violetta, a young woman who flees her native Mexico to start anew in New York City. But instead of a living a dream, Violetta is awoken to a harsh reality when she runs out of money, sending her into the arms of the villainous Nefastófeles.
American Dreams is an American television drama program broadcast on the NBC television network, produced by Once A Frog and Dick Clark Productions in association with Universal Network Television and NBC Studios. The series was created by Jonathan Prince and developed by Josh Goldstein and Prince; the latter was also one of the executive producers with Dick Clark. It debuted on September 29, 2002. The show is set mostly in Philadelphia. It initially aired on Sundays at 8:00 pm Eastern time, but moved to the same time on Wednesdays from March 9, 2005, to the third season finale. The show tells the story of the Pryor family of Philadelphia during the mid-1960s. Season one takes place in 1963–64, season two in 1964–65, and season three in 1965–66. The show was known as Our Generation when it debuted in Australia, however it was changed back to American Dreams when it returned for the second season.
The theme song “Generation” was written and performed by Emerson Hart, lead singer of the band Tonic. The song earned Hart an ASCAP award for Best Theme Song of Television in 2003. The show was the 2003 TV Land Awards “Future Classic” winner.
Ray, an ex-cop, is starting a new life looking to stay out of trouble. One evening, on Ray’s watch, the nightclub he works for is robbed and the owner’s son is shot dead. As his criminal past is exposed Ray hunts for the person responsible for this crime in an effort to clear his own name. Ray must get to the bottom of this as both the mob and cops start to close in on him as their target suspect.
Rachel is a girl, adopted by an upper middle class family, who rebelled at 17 and left her family and studies at a traditional college in Sao Paulo to become a call girl. Shortly after starting work, she decided to write a blog about her experiences. Since some clients thought she looked like a surfer she adopted the name “Surfistinha” which means little surfer girl.
A young Englishman is dispatched to Sarawak to become part of the British colonial government. He encounters some unorthodox local traditions, and finds himself faced with tough decisions of the heart involving the beautiful Selima, the unwitting object of his affections.
WWE Raw is a professional wrestling television program that currently airs live on Monday evenings on the USA Network in the United States. The show debuted on January 11, 1993. WWE Raw moved from the USA Network to TNN in September, 2000 and then to Spike TV in August, 2003 when TNN was rebranded. On October 3, 2005 WWE Raw returned to the USA Network.
Since its first episode, WWE Raw has broadcast live from 203 different arenas in 169 cities and towns in ten different nations. As of the show’s 1,000th episode, airing on July 23, 2012, WWE Raw has become a three-hour broadcast from two-hours, a format that had previously been reserved for special episodes.
The last movie from the team of Ismail Merchant, James Ivory, and Kazuo Ishiguro. Set in 1930s Shanghai, “The White Countess” is both Sofia (Natasha Richardson), a fallen member of the Russian aristocracy, and a nightclub created by a blind American diplomat named Jackson (Ralph Fiennes), who asks Sofia to be the centerpiece of the world he wants to create.
Shortly after arriving in New York City, 22-year-old Tess lands a job at a celebrated downtown restaurant. Swiftly introduced to the world of drugs, alcohol, love, lust, dive bars, and fine dining, she learns to navigate the chaotically alluring, yet punishing life she has stumbled upon.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
Two Mexican-American sisters from the Eastside of Los Angeles who couldn’t be more different or distanced from each other are forced to return to their old neighborhood, where they are confronted by the past and surprising truth about their mother’s identity.
In a mission in China in 1935, Agatha Andrews is a rigid missionary beset by Mongolian bandits led by Warlord chief Tunga Khan. With her are her assistant Jane Argent, staff members Emma Clark, Miss Russell and Miss Binns, head of the British mission, Charles Pather, a teacher at the mission and his pregnant wife Florrie. When Dr. D.R. Cartwright arrives, she agrees to sacrifice herself to the Tunga Khan in exchange for his letting the ladies go free.
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…
An idealist young dancer named Zoe (Romina D’Ugo) tackles the difficult issue of resurrecting disco dancing in today’s music business. She meets hostility beyond resistance on every dance floor where she spins and twirls. Fortunately, she has at least one ally, a nightclub owner and visionary named Michael (David Guintoli) who shares her zeal for the long-ago dance craze. With money to burn, Michael arranges for Zoe to test market bringing back disco, even with rival choreographers like Malika (Brooklyn Sudano). Soon dance takes a two-step in the wrong direction when hard-hearted Malika and Michael start vying to become Zoe’s dance partner.
Joe is left home alone by his mum. Fending for himself, he must deal with new friends, threatening foes, and the dodgy parcel of money he’s found hidden in his bathroom.
Sixteen-year-old Jennifer Lynn’s life is turned upside down when she gives birth to baby Zoe. Being a teen mom is not what she had planned for high school. Her boyfriend Randy refuses to step up and her mother Alicia is not interested in raising another child. But when Zoe is kidnapped, Jennifer’s maternal instincts kick in and she will stop at nothing to find her baby.
J is in their early teens and lives in the countryside. J has been diagnosed with Gender Identity Disorder, goes by the selected pronoun “they”, and takes hormone blockers to suspend puberty. While J’s parents are away, their older sister and her Iranian boyfriend are assigned the duties of house-sitting and looking after J.
Fleeing an arranged marriage in China, the independent Peony signs a contract to work as a “flower girl” in America, where she meets Tom, an American Born Chinese cook whose father works on the Transcontinental Railroad. Thwarted by a Hong Kong Triad boss seeking to extend his power into America, theirs is the tale of the first great Chinese immigration to the United States – a story of romance, bigotry, passion, food and a search for everlasting love – set against the largest mass lynching in American history, in Los Angeles’ Chinatown, in 1871.
It was love at first sight for beautiful young lawyer Sandra “Sunday” O’Brien-Parker (Rachel Blanchard) and Henry Parker (Cameron Mathison), retiring White House Secretary of State, when Sunday’s dad Danny (Jack Wagner), Henry’s colleague and Secret Service Agent, introduced them at the picturesque Why Worry Ranch in California. Now, a year after their wedding, Sunday and Parker, living on the ranch near Lake Tahoe after Parker’s recent term as beloved state governor, are an irresistible sleuthing team who enjoy the political spotlight while taking pleasure busting the bad guys. But when Parker’s mom Miriam (Janet-Laine Green) and Danny are suddenly kidnapped on their way to a high-profile family event, Parker and Sunday are immediately on the case and this time it’s personal.
Banku, his mother, Anjali Sharma and father move in to their new house — the Nath villa, unaware of the fact that the house is inhabited by a ghost. It is learnt the ghost is not too happy with his new housemates. But what the ghost is not prepared for is his unlikely friendship with Banku. Now Banku must uncover the reason why his ghostly friend is stuck and help him to attain salvation.
Santos attempts to lead a people’s revolt in Colombia to overthrow the Presidente. When his revolt fails and he is killed, his sister Christina goes to New York to find McBain, a lieutenant Santos rescued during the Vietnam War. McBain agrees to help, recruits his old war buddies, raises some cash by killing a few drug dealers, then leads an attack to topple the Colombian government.
After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.