A murder in 1944 draws together the great poets of the beat generation: Allen Ginsberg, Jack Kerouac and William Burroughs.
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14,000 year-old “Man from Earth” John Oldman, now teaching in northern California, realizes that not only is he finally starting to age, but four students have discovered his deepest secret, putting his life in grave danger and potentially destroying the world’s most popular religion.
In a place where killers are celebrated as heroes, these filmmakers challenge unrepentant death-squad leaders to dramatize their role in genocide. The result is a surreal, cinematic journey, not only into the memories and imaginations of mass murderers, but also into a frighteningly banal regime of corruption and impunity.
Plagued by the abuse of her past and the turmoil of failed intimate encounters, Laura struggles to find a lover and a sense of normalcy. Her beacon of hope comes in sixteen year-old Eva, a talented pianist disillusioned by the life her mother imposes upon her. An unlikely relationship is formed between the two and Eva becomes an obsession to Laura. In light of Eva’s unhappiness, Laura convinces her to runaway to her house and they soon find themselves caught within an intense entanglement. Manipulation, denial and codependency fuel what ultimately becomes a fractured dynamic that can only sustain itself for so long.
Lee is a world-weary American woman who arrives in an Italian city. Her tangles with hotel staff, incessant smoking and her disregard of the persistently ringing telephone hint at her volatility brewing beneath the surface. Between fitful naps, she wanders the streets, snapping pictures of refugees as if her camera were both weapon and olive branch. Struggling to confront her demons, Lee resolves to help a beautiful young woman in need.